He Russian constructivism It was a very influential artistic movement that flourished in Russia in the 20th century and evolved when Bolsheviks they came to power in the October Revolution of Through this movement of modern art, many of the advanced Soviet artists who supported the objectives of the revolution were expressed. In itself, it was a new approach to the creation of objects, although he took ideas of Cubism, Suprematism and Futurism. In short, his goal was to abolish traditional artistic concern for composition and replace it with"construction. Vladimir Tatlin. Russian constructivism demanded a careful technical analysis of modern materials.
Russian History in Architecture
Russian Constructivism: history, features, architecture, design | Life Persona
Given the country's rich architectural history spanning almost the entirety of the 20th century, you'd be forgiven for thinking that the fall of Russian Communism in the early s might have sparked an exciting new era in design. That promise hasn't exactly been fulfilled, but as The Calvert Journal reports, a few promising recent projects are hinting at a Russian Renaissance. The last twenty years of architecture has added little but bog-standard steel-and-glass office blocks to the limited palate of the Russian cityscape — the usual glinting onion domes, pompous Stalinist neoclassicism and crumbling tower blocks. But lately some architects have dared to differ and turned bold blueprints into bricks and mortar.
Russian Constructivism: history, features, architecture, design
Russian architecture follows a tradition whose roots lie in early Russian wooden architecture inclusive of various indigenous elements and in the architecture of Kievan Rus' with its centers in Veliky Novgorod and Kyiv. The great churches of Kievan Rus', built after the adoption of Christianity in , were the first examples of monumental architecture in the East Slavic region. Early Eastern Orthodox churches were mainly built from wood, with their simplest form known as a cell church. Cathedrals often featured many small domes, which has led some art historians to infer how the pagan Slavic temples may have appeared.
The Churches of the Pskov School of Architecture are located in the historic city of Pskov and along the banks of the Velikaya River in the northwest of Russia. The property includes ten monuments of religious architecture, churches and cathedrals, as well as, in some cases, part of the monastic structures around these, which represent the architectural styles and decorative elements produced by the Pskov School of Architecture between the 12th and the beginning of the 17th century. The Pskov School of Architecture is one of the most influential Russian Schools of architecture, which fostered continuous exchange of ideas and characterized the development of architectural styles in Russia over five centuries, leading to specific architectural and decorative references known as the Pskov School. These physical features representing the work of the Pskov School include, among others: architectural elements influenced by Byzantine traditions, transmitted through the earlier Novgorod School; distinctive use of local construction materials; and pragmatist stone buildings with purist and minimalistic approaches to decoration characterized by restraint in form and decoration. The school utilized a limited set of decorative techniques and architectural elements, illustrating a synthesis of vernacular styles brought into urban and monumental contexts, cubic volumes, domes, tholobates, side chapels, porches, narthexes and belfries, as well as other decorative features.